Drive (2011) 720p YIFY Movie

Drive (2011)

A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.

IMDB: 8.070 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 707.75M
  • Resolution: 1280*544 / 23.976fps
  • Language: English
  • Run Time: 100
  • IMDB Rating: 8.0/10 
  • MPR: R
  • Peers/Seeds: 5 / 214

The Synopsis for Drive (2011) 720p

A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.


The Director and Players for Drive (2011) 720p

[Director]Nicolas Winding Refn
[Role:Irene]Carey Mulligan
[Role:Shannon]Bryan Cranston
[Role:Driver]Ryan Gosling
[Role:Bernie Rose]Albert Brooks


The Reviews for Drive (2011) 720p


Best Film of 2011: "Drive"Reviewed byMidnightMaxVote: 9/10

At the Theater- "Drive" -- This is not an Action film, this is not a "Car" movie- It's a character-driven, slow-burn thriller of the first order that features elements of some of the finer works from Directorial royalty like Martin Scorsese, Michael Mann, William Friedkin, Quentin Tarantino, Walter Hill and the late Sam Peckinpah.

The film is an electric mixture of beautiful, lingering cinematography, a pulsating soundtrack, lean dialogue and short bursts of graphic, bloody violence. It's tense and involving- almost impossible not to get immersed in. Nicolas Winding Refn is a Director to definitely keep a tab on.

Ryan Gosling is the embodiment of some kind of cold fire at the heart of the matter- his "Driver" character is a well-intentioned but unstoppable force that will surely end up as a cult favorite for decades to come. Carey Mulligan, Albert Brooks, Ron Perlman, Bryan Cranston, Christina Hendricks and Oscar Issac round out an excellent cast that's pretty much in support but extremely well-utilized.

Those wanting to check out a quick and disposable, mindlessly fun popcorn flick need to steer clear- this isn't what you're looking for. This is deadly-serious film-making that's damned-near perfect.

It's my favorite film of the year- Hell, it's one of my all-time top faves.

9.5 outta 10

Film Noir meets Hammer Hardened Hero Maker meets Gangster Heavy MetalReviewed bydoncrawVote: 9/10

Ryan Gosling brings down the hammer on that line where logic reason and self preservation become secondary to protecting what is important to you. There are a few moments where he doesn't just cross that line but obliterates it completely.

Beautifully crafted pounding action thriller with twisted humor and seriously hard core violence. Compelling tenderness from characters that are unsophisticated in the best sense of the word.

This film will go down as one of the best Action films in decades. Car chases that rival and extend beyond Bullitt and French Connection. Violence that bursts out of the screen like a horror film or a bad dream by David Cronenberg. Passing moments of tenderness that are drawn out until you are slowly pulled into the emotional world of the protagonists.

Something so powerful, especially when it works, is the use of sharp and dramatic Camera Angles in Drive that mirror the emotional moment of the story drawing you into the characters world.

View and angles often extremely low angled and tilted sharply upward, effective at expanding the feeling of voyeurism of being at the dinner table or in the adjacent seat, right in the room with the characters while safely looking up from some shadow or nook or cranny. Very emotionally transcendent cinematography.

Night footage was amazingly successful at capturing the range of light and shadows, on a technical level the audio and video were strong and assured. Not only the first robbery but all the way through the film right up to the final resolution of the plot, the night was a familiar environment for major turns in the story (pun intended).

I will return hopefully soon to expand on this review, but I had to write something tonight because this film is ten times more badass than any Transporter or Fast and Furious fare that is usually sold in their all too obvious packaging.

Drive leaves them all in the Dust.

This filmed was viewed on the Big Screen at the LAFILMFEST screening June 17th 2011

A Multi-Layered Abuse to the Film IndustryReviewed bydiac228Vote: 7/10

So I walked out of the movie Drive. This is the first time I've ever done such a thing. I've seen a lot of bad movies in my day but there has never been one that infuriated me to a point in which I couldn't continue. And being a film lover, I sat down and analyzed just why exactly this movie ticked me off so much. What was it about this movie that drove me up the wall to a point in which I walked out before I even got to see the conclusion? It wasn't the acting. It wasn't the music. And it wasn't the lush cinematography. What irked me the most was that Drive was disguising itself as an indie flick when in actuality it wanted to become an action movie so badly.

And this strategy while an insult to the entire institution of filmmaking, worked. It got rave reviews at film festivals here and there and got nice reviews from critics, lavishing the acting, supposed tension, and cinematography. I watch this movie because of the rave reviews and literally saw the Transporter movie wrapped in an indie flavor, nothing more. The first half, where we supposedly see "character development," consists of characters engaging in extremely minimal small talk and the rest of the time just staring at each other. I am not kidding. After the tense opening which reveals our main character's secret job (which is familiar to the opening of Transporter), we get nothing for about 40 minutes. Except a lot of pointless scenes.

Drive is about a very good stuntman that doubles as a secret driver at night (Ryan Gosling) who silently falls for his new neighbor (Carey Mulligan) while at the same time gets mixed up in a mob scene (which loosely is a Transporter plot). The first half has all the development, only in the second half is when we see all the action and driving you've been observing in the previews. Based off a novel of the same name, the script must have been easy to write, because it barely has any dialogue while the story is pretty much a mashup of Tarantino-like violence with Transporter-like symptoms.

The movie is so inconsistent, and amongst the small pieces that don't fit together they are all sparkles of what we've seen before—and what we've seen before has all been superior. The supposed amazing chase sequences? Bourne and Ronin does them better----and to a similar budget extent, The Transporter. The supposed amazing violent tension? I can name dozens of movies that do it better. And the extreme violence that is inconsistent with the theme, tone, pace, and characterization of the first half of this slum? Of course, while it doesn't quite match the plot it's been perfected years upon years ago by Tarantino and even to an extent Robert Rodriguez.

But another big reason why I dislike this film so much is because with Drive, we've seen it all before, and yet the critics will not point this out—or choose to avoid it. We've seen these types of movies before (quiet men that has their actions do all the talking), we've seen this type of ultra-action before, and we've seen these stupid attempts at conflicting and blending genres far too many times in the indie and mainstream scene. Drive was originally billed as blockbuster during development so what do they do? Hide the fact that it's the clichéd low-caliber blockbuster that's trying so hard to be a European Tarantino hybrid. They trimmed the dialogue, screen time, and for the Cannes Film Festival nixed the action billing and called it an independent film. They literally were changing the packaging and tone of the movie based off of box office numbers. That's disgusting. They were trying to sway the critics by changing the entire genre.

Bottom Line: Drive, you are a pathetic, pointless, stupid, trite, slow, muggy, grudgy, tasteless, senseless, disposable, forgettable movie with abysmal pacing, abysmal writing, and no sense of direction whatsoever from the first second to the last second I watched before deciding to walk away. You don't know what movie you want to become, as you literally spit yourself through at least three different genres that actually repeal each other like a magnet. You barely clock in at 100 minutes, yet it felt like two hours the first half in. I will not blame the acting, for they had next to nothing to work with. I will not blame the cinematography, which wasn't bad either. I will blame the fact that your crew decided to pretend like your movie was artsy, underground, and indie, when in actuality your movie is this ultraviolent action movie that rears its ugly head long after the audience has fallen asleep through the numbing first half.

Your movie sucks.

Bad.

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