Harvey (1950) 1080p YIFY Movie

Harvey (1950) 1080p

Harvey is a movie starring James Stewart, Wallace Ford, and William H. Lynn. Due to his insistence that he has an invisible six foot-tall rabbit for a best friend, a whimsical middle-aged man is thought by his family to be insane -...

IMDB: 8.09 Likes

  • Genre: Comedy | Drama
  • Quality: 1080p
  • Size: 1.99G
  • Resolution: / fps
  • Language: English
  • Run Time: 104
  • IMDB Rating: 8.0/10 
  • MPR: Normal
  • Peers/Seeds: 6 / 9

The Synopsis for Harvey (1950) 1080p

The classic stage hit gets the Hollywood treatment in the story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.

The Director and Players for Harvey (1950) 1080p

[Director]Henry Koster
[Role:]James Stewart
[Role:]Victoria Horne
[Role:]William H. Lynn
[Role:]Wallace Ford

The Reviews for Harvey (1950) 1080p

Perfect film, look for lightingReviewed byjrfranchiVote: 10/10

A perfect film, overwhelmingly loved. I would like to point out the lighting in the film is wonderful. The best scene to look for is as Mr Dowd is sitting in the alley behind the bar speaking to the Doctor & nurse and the use of shadows and indirect lighting bring a strength to the scene that is usually only noted for Citizen Kane.

Stewart is so great in so many films and this is among his best roles.

This is screwball comedy that is somehow low key and without slapstick. I cannot think of any film that is similar to this since Peter Sellers did "Being There" in 1979.

They should not remake this film, but if they did the only acceptable actor would be Tom Hanks.

Besides charm and humor, "Harvey" glows with unconventional wisdom.Reviewed bydracoflipperVote: 9/10

Most adults have long since stopped believing in the Easter Bunny. For better or for worse, they've come to find imaginary rabbits absurd and uncalled for. In "Harvey," however, you will find a very pleasant man who would beg to differ.

Elwood P. Dowd is best friends with a pooka named Harvey. A pooka, by definition, is a `fairy spirit that appears in animal form, always very large.' In Harvey's case, this means a 6-foot-3.5-inch rabbit.

Harvey is also invisible to the general populace, but this does not stop Elwood from talking to him, holding doors for him, and cheerfully introducing him to anyone and everyone they meet.

Most other characters who are witnesses to this behavior -- and the viewer as well -- are skeptical at best of Elwood's sanity. The occasional act of mischief, though, as well as Stewart's unfailing faithfulness, are grounds enough to keep you wondering.

The skillful blurring of the line between delusion and reality are testament to the skill of both Mary Chase and those who made her play into a movie.

Elwood and Harvey tend to frequent the local bars, where meeting Harvey tends to brighten a person's heavy spirits since, as Elwood puts it, `nobody brings small things into a bar.' (One will note that Harvey is no exception to this rule.)

His sister Veta, however, becomes determined to have Elwood committed after he and Harvey ruin the social gathering she so diligently arranged. They take a trip to the Chumley's Rest sanatorium for this purpose, but the particularly analytic psychologist Dr. Sanderson (Charles Drake) decides that it is Veta who's the crazy one and has her admitted instead. Josephine Hull expertly portrays Veta's quirks and anxieties about both her brother's sanity and her own.

In one of the one of the movie's memorable scenes, Mr. Wilson, an orderly at the sanitarium, decides to look up what a `pooka' is. He discovers it is described as a `mischievous creature, very fond of rum-pots, crack-pots, and how are you Mr. Wilson?" That he is irritated rather than mystified only enhances the comedic effect.

When the mix-up is revealed, a manhunt for Elwood commences. He is found at Charlie's (which is just where he'd said he was going) and brought back to the sanitarium, but not before impressing his apprehendors with his incredible good nature and altruistic attitude.

Then, when Dr. Chumley, the owner of the sanitarium, informs Elwood about Veta's plans, him he is amazed when Elwood seems untroubled by this revelation.

"Harvey" has many memorable lines, many of which are notable for their ring of candor and elemental wisdom. Elwood's explanation is one of them, as he tells the doctor, `?In this world, you must be oh-so-smart or oh-so-pleasant.' Well, for years I was smart. I recommend pleasant.'

It is, in a large part, this attitude that makes both Elwood and "Harvey" so endearing. Such an overwhelming agreeable nature cannot help but infect the hearts and minds of those it touches.

Furthermore, the occasional acts of mischief ? perhaps the work of Harvey? ? are both humorous and intriguing. Most importantly, the movie does an excellent job of questioning the value of conventional sanity.

Inspired by Elwood, who states, `Well, I've wrestled with reality for 35 years, doctor, and I'm happy to state I finally won out over it,' the viewer is almost tempted to check the dictionary for `pooka' by the time the movie's over. Or, perhaps, to check for an Easter basket. Just in case.

And how are you today, Mr Wilson?Reviewed bykennethwright45Vote: 10/10

Perhaps the sweetest, saddest and kindest of all talkie comedies. Its shameless sentimentality could have been cloying but for the way the gently kooky script squeezes the odd dash of lemon into the cocktail; similarly, its fine balance between naturalism and fantasy allows it to get away with things that would have been embarrassingly maudlin in a more literal-minded film. That's why I always seem to get something stuck in my eye when Elwood P Dowd goes into his "Harvey and I have things to do ..." speech.

Among a great ensemble cast, I'd like to drop down the credits a little to say a word for Harry Hines in the small but delightful role of Mr Miggles, the ageing jailbird whom Elwood invites to dinner. (He's been away for a while, "doing some work for the government ... making licence plates".) This was Hines's film debut at the age of 60, and it started him off on a busy and distinctive career in character parts as mildly disreputable but good-hearted old geezers, with hardly a change in costume or make-up from one film to the next. You can see him in the finale of Strangers on a Train as the old carny hand who crawls under the speeding carousel to stop the ride.

Here's a wicked little thought to close with: I'd love to see a TV channel or repertory cinema show Harvey as the top half of a drinking man's double bill ... with The Lost Weekend as supporting feature.

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