Porno Holocaust (1981) 720p YIFY Movie

Porno Holocaust (1981)

Porno Holocaust is a movie starring George Eastman, Dirce Funari, and Annj Goren. A group of castaways wash ashore on a deserted island in this Italian sex/gore movie. They are unaware that a sex-crazed radioactive monster is also...

IMDB: 3.16 Likes

  • Genre: Adult | Horror
  • Quality: 720p
  • Size: 1.38G
  • Resolution: / fps
  • Language: Italian
  • Run Time: 113
  • IMDB Rating: 3.1/10 
  • MPR: Adult
  • Peers/Seeds: 4 / 2

The Synopsis for Porno Holocaust (1981) 720p

A group of castaways wash ashore on a deserted island in this Italian sex/gore movie. They are unaware that a sex-crazed radioactive monster is also on the island. He attacks and rapes several of the women, who die horrible deaths because his sperm is radioactive. The survivors must find a way to either escape the island or kill the monster.


The Director and Players for Porno Holocaust (1981) 720p

[Director]Joe D'Amato
[Director]George Eastman
[Role:]Mark Shannon
[Role:]Annj Goren
[Role:]Dirce Funari


The Reviews for Porno Holocaust (1981) 720p


this would get a limp noodle if this was a XXX magReviewed byMisterWhiplashVote: 1/10

Joe D'Amato might have made some other notable movies in his very long and very prolific career- prolific, of course, by turns of making VERY cheap Z-grade movies in Italy's big exploitation boom of the late 70s early 70s- but Porno Holocaust isn't one of them, or at least shouldn't be. Granted, I should not expect much from a movie with such a title, but I thought considering the back of the box's description that it might have some fun horror scenes with the "horny, mutant, cannibal zombie". Turns out the zombie doesn't appear until more than halfway into the movie, and at every turn we get instead a tawdry sex scene as hardcore as one can imagine. Which is fine. But it's not very enjoyable, except in the most "what the f*** is this BS" kind of way. There's laughable dialog involving lobsters costing more from mail-order Japan than in Paris, hot, slim women play biologists and zoologists who have particular sexual hang-ups (letting the door be unlocked to be raped, and a bi-polar kind of enjoyment out of getting gang-banged).

It all leads up to the island, where the "main attraction" is a guy who early on just spends an absolutely pathetic (forget ludicrous) amount of time just staring at the newcomers to the radioactive wasteland of the shot-on-Caribbean island, and once revealed has a face like one of the guards in Jabba's palace and has a sweet potato for a main genital. But much dumber than anything before it is the "relationship" that develops between the monster and a dark-skinned lady who has an inordinate amount of time to escape, but just sits there, blank-faced, as the monster brings gifts and for what must be a racially-motivated exploitation move on the part of the filmmakers the monster ONLY rapes and kills the white women, and not her. And it ends, of course, with a "happy" ending. I use quotes, of course, out of a kind of shock that this could have any kind of legitimate ending at all.

Bottom line, this is NOT what you might expect, as possibly being a bloody horror movie with plenty of tacky but cool looking Italian monster-zombies devouring human flesh. If anything what violence is in the film is done on a shoe-string; a log hit to the face is immediately cut to the bloody aftermath, which is like the aftermath of a tomato hitting someone. So really, the last part of the title is meant more for market sake. Yet even as a porno movie it has little to go on except as a reason for the cast and crew to get a paid vacation to the Caribbean (as an interview with George Eastman suggests, this was just one of a few quickies made while on the island). Its got penny-bought schlocky camera-work and similar actors, filled with genitalia about 3/4 of the whole time and with wretched lip-syncing and music like Nino Rota forced at gun-point to make something snappy in a bordello, and it's STILL a piece of celluloid dung all the same; all of this could be an immense guilty pleasure, but it isn't.

Infamous D'Amato Porno Horror FlickReviewed byray-121Vote: 6/10

There has been a lot of rumour about this one, considered the severe cuts the film has suffered in a variety of VHS versions. The uncut version is a very funny and edwoodesque porno horror flick with the Mark Shannon/Manlio Cersosimo (he looks like Harry Reems). The Santo Domingo locations are beautiful as usual all the character walking almost endlessly up and down the small island gives the film an hypnotical aura. Lucia Ramirez is simply beautiful and Dirce Funari has a great scene (if you like extreme cinema). As usual, don't watch this one if you're easily offended, but if you think you're an exploitation fan don't miss this Joe D'Amato masterpiece.

A Unique Triumph of Content Over FormReviewed bySquonkamaticVote: 5/10

Something strange is going on in PORNO HOLOCAUST. No it's not a particularly "good" movie, but it sure is an interesting one. Here is a film who's content overwhelms the form -- It's not a skin flick in the traditional sense of the word (though it does feature explicit sex scenes) and it's not quite a horror film either (though it does feature a giant, mutated radioactive Penis Monster zombie who is responsible for several deaths). It's exploitation for sure, but what the heck is going on here? Mixing horror and sex is nothing new, but you can usually remove the sex & still have the horror (i.e. all those "covered" versions of Spanish horror films with Paul Naschy that do away with the overt sexuality), and you can also have sex films the involve horror themes but are just excuses for thematic porn interludes (see EJACULA or INTERCOURSE WITH A VAMPIRE if you need more info). The two can usually be separated out without much fuss or detriment to either end.

Leave it to Joe D'amato to weave the two together like a tapestry: Pull one string loose and the whole work falls apart. I had the good fortune to find a German DVD release of this film that had both a "softcore/not rated" version and the "hardcore/X-rated version", and was fascinated to discover that if you omit the explicit sex from PORNO HOLOCAUST you end up with a pretty limp tropical horror flick with no real purpose. Leave in the porno and this emerges as a pretty twisted commentary on race, sex, native taboo lust, science run amok, (sic) Jungal Trash, the dangers of nuclear weapons (is this a message movie too??), nature striking back, and a hint of Beauty And The Beast thrown in for good measure. It's in poor taste to be sure, but then again this is one of those films that is all about being in poor taste, and if you're stupid enough to be offended by it that's not his fault.

What's really weird about PORNO HOLOCAUST is that the porn on it's own isn't very erotic, and the horror on it's own isn't too horrifying. Yet add them together and this becomes one of the most potent low-rent sub tropical exploitation films in history. The scenes it is most notorious for have no substance without the X-rated content, and diluting the porn dilutes the horror. Somehow D'amato and writer/star George Eastman managed to come up with a genuinely original film that is absolutely devoid of any original ideas, except to weave the two themes together in a way that makes them amount to more than the sum of their parts. The film also has an odd atmosphere to it that is quite compelling, the girls are all delightful young strumpets who seem to be enjoying themselves (the movie must have been a riot to make), and the Penis Monster zombie has a kind of sad pathos about him that is kind of unique: He was a victim too, like many of the slasher killers driven insane & homicidal by cruelty. Someone posed the question of just who or what the monster is, and I think that like Deodato's similarly titled CANNIBAL HOLOCAUST the idea here might be that the monsters are us for having polluted his nice little island with nuclear fallout.

Who knows. I don't even know if this is a good film, but it is an interesting one, and a lesson of how sometimes content can overwhelm the form of a work in ways that defeat the purpose of it existing. Porno fans won't much go for the sex parts, and horror fans won't be too impressed by the zombie plot. But when thrown together it makes an oddly compelling juxtaposition, and serves as further proof that Joe D'amato knew exactly what he was doing when he made his films, even if sometimes he leaves it up to us to figure out what it all means. I haven't a clue this time, and that's a positive.

5/10

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