Shifty (2009) 720p YIFY Movie

Shifty (2009)

Shifty is a movie starring Riz Ahmed, Daniel Mays, and Jason Flemyng. Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to...

IMDB: 6.50 Likes

  • Genre: Thriller |
  • Quality: 720p
  • Size: 1.03G
  • Resolution: / fps
  • Language: English
  • Run Time: 85
  • IMDB Rating: 6.5/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 2

The Synopsis for Shifty (2009) 720p

Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to score at all costs, and with his family about to turn their back on him for good, Shifty must out-run and out-smart a rival drug dealer intent on setting him up for a big fall. As his long time friend Chris confronts the dark past he left behind him, Shifty is forced to face up to the violent future he's hurtling towards.


The Director and Players for Shifty (2009) 720p

[Director]Eran Creevy
[Role:]Riz Ahmed
[Role:]Daniel Mays
[Role:]Jason Flemyng
[Role:]Nitin Ganatra


The Reviews for Shifty (2009) 720p


Loved ItReviewed bychristinegupreetVote: 9/10

Another perfect example of how a film - regardless of it's budget can still be hugely effective if the story is told well. It's a pretty simple tale about a guy called Chris returning home to the town that he left behind, still tormented by the guilt that drove him away. His best friend Shifty has chosen a potentially destructive life path, and over the course of the day they attempt to re connect and face up to their problems, both past and present. Both Daniel Mays and Riz Ahmed are astonishingly good in this film. The subtlety of their relationship is believable and they really make you care about them. Jason Flemyng is suitably gruff as the local hood, and it's here that Chris has the chance to prove his loyalty to Shifty, where he once failed. Clearly shot on the cheap, this is one of the best British films I have seen in the past few years. Will be keeping an eye on all involved.

Dull, lifeless and by roteReviewed byLeofwine_dracaVote: 4/10

A dull and lifeless addition to the British gangster cycle. Shifty and his buddy Chris are a couple of dead-eyed deadbeats who deal drugs and spend their days either fighting with friends and family or trying to stay out of trouble. The film that follows is as depressingly grim and predictable as it is uninteresting.

One of the recurrent problems with movies like this is that the writer and director is the same person, in this case Eran Creevy. I personally believe that scriptwriting and direction are two very different beasts that require very different skills and talents. Middling efforts in both respects result in middling films. Creevy should choose one role or the other, not attempt both. Invariably these "labour of love" productions smack of self-importance and self-indulgence, as is the case here.

It's not all bad, and there are certain things in the film's favour; the camera-work is pretty decent by genre standards, with none of that blighting shaky-cam rubbish, and the pacing is pretty good; SHIFTY keeps you watching, even if it doesn't involve you. But the characterisation is so circumstantial and clichéd that it's impossible to immerse yourself in the world of the characters.

Riz Ahmed and Daniel Mays have both contributed some impressive acting in other, better films, but they're lifeless and on autopilot here. I'm not quite sure why Jason Flemyng and Francesca Annis have been cast in supporting roles that could have been played by anyone, unless it's for name value alone. It's not enough. SHIFTY is an instantly forgettable move in a quagmire of similar efforts.

Take a shufty at ShiftyReviewed byAli_John_CatterallVote: 8/10

Shifty is being hailed in some quarters as an early contender for best British film of 2009 - a double-edged blessing for any debut, which can rarely hope to live up to the hype, however well intentioned. Shifty isn't the second coming, the one true saviour of UK independent cinema. But it's a very decent little crime thriller, with a lot of heart, that deserves more than a couple of weeks at the repertory before being marooned on DVD.

Chris (Daniel Mays) returns from Manchester to the (fictional) outer London suburb of Dudlowe after four years in white-collared exile. To his surprise, he discovers his old school mate Shifty (Riz Ahmed), the "smart kid in class, four A-levels", has since transformed from a part-time weed merchant into a full blown crack dealer.

Over the next 24 hours, the country mouse accompanies the town mouse on his rounds, supplying everyone from middle-class hippies to dead eyed kids, while being stalked by an increasingly agitated Trevor (Jay Simpson), a broken family man prepared to take his next fix by any means necessary. (Shifty must be selling some uncommonly good gear.) Meanwhile his brother Rez (Nitin Ganatra) is about to kick him out of his house, and double-crossing supplier Glen (Jason Flemyng) is setting him up for a fall. Can Chris convince Shifty to abandon his life at the crack face before he comes a cropper?

'Shifty' sounds like an ITV comedy drama from the late 1960s or early 1970s, no doubt starring Hywel Bennett or Adam Faith as its eponymous lovable rogue; up to no good, but more victim than predator - and that's pretty much the case here. An ocean away from The Wire's corner boys, Baltimore's tooled-up foot soldiers marinated in murder, Shifty's scrappy pushers embody a familiar kind of hapless Englishness; the sort who might shut up shop for a day, owing to the wrong kind of snow on the road. Yet for all its lively banter ("I can't believe you just sold crack to Miss Marple and struck a deal with Blazin' Squad") the film is no quirky apologia for crime. This is the pedestrian reality of drug abuse: people hurting themselves in small rooms.

All the cast are terrific, playing real three-dimensional characters, but actor-musician Riz Ahmed is standout as the titular live wire, utterly nailing the dealer's temporal mindset. He might look as if he's physically occupying a scene, but he's not really there at all - his eyes tell us he's already on the next page, a parasitic tick, eternally leaping from host to host.

Writer-director Eran Creevy drew his inspiration from a former school friend, an A-grade pupil who discovered he could make more money in the real world by dealing drugs. Not for Shifty being "stuck in a warehouse, knocking out dodgy Fruit Of The Loom". Had things worked out differently, we can easily imagine him popping up on 'The Apprentice', back-chatting Sir Alan.

Creevy eschews the woozy, art-house ambiance of Duane Hopkins' Better Things - another portrait of a drug-decimated community - for naturalistic dialogue and performances within carefully framed and composed shots; properly cinematic, grown-up direction. Though we never get the impression we're watching a wildly original cinematic voice, it's refreshing to encounter a film featuring gritty, 'urban' subject matter that hasn't been shot with a hyperventilating DV camera.

This relative stillness and subtlety gives rise to moments of exceptional power. During one scene, Shifty delivers to posh, pensionable hippie Valerie (Francesca Annis), in a grimy council flat littered with Moroccan tat and dead, stiff cats. It is safe to assume this is a long way from where she imagined she was going to end up. After everybody has had a nice cup of tea, Chris and Shifty hunch embarrassedly on the opposite sofa in silence, while Valerie gratefully sucks on the pipe, gently collapsing back into her chair, as muffled, moronic techno from the flat upstairs leaks through the ceiling into the room.

Such damn fine film-making reflects well on Shifty's sponsor, the Microwave project, which gives aspiring UK indie filmmakers a chance, a mentor, and some money to help realise their dreams. The catch: they have to turn their movie around in just 18 days on a budget of £100,000. While everyone, from caterers to star actors are paid the same, inducing a more democratic vibe on set. Heathrow horror Mum & Dad, released on Boxing Day 2008, was the first film to be made under the scheme. Shifty is the second. There are eight more to come.

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