The Brave One (1956) 1080p YIFY Movie

The Brave One (1956) 1080p

The Brave One is a movie starring Michel Ray, Rodolfo Hoyos Jr., and Elsa Cárdenas. A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.

IMDB: 6.81 Likes

  • Genre: Drama | Family
  • Quality: 1080p
  • Size: 1.91G
  • Resolution: / fps
  • Language: English
  • Run Time: 100
  • IMDB Rating: 6.8/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 3

The Synopsis for The Brave One (1956) 1080p

The Brave One is a bull named Gitano (or Gypsy). A Mexican boy Michael Ray "adopts" Gitano after saving the animal's life during a storm. The friendship between bull and boy is threatened when Gitano's legal owners claim the animal and ship it off to the bullring. Moved by the boy's plight, the President of Mexico signs a "pardon" for Gitano - but not soon enough to prevent the bull's appearance at the Plaze de Mexico at Mexico City, where he faces top matador Fermin Rivera. Based on a true incident, the film earned a "best story" Academy Award for one Robert Rich - who, much to the embarrassment of the Academy (and the delight of civil libertarians) turned out to be blacklisted screenwriter Dalton Trumbo.


The Director and Players for The Brave One (1956) 1080p

[Director]Irving Rapper
[Role:]Michel Ray
[Role:]Carlos Navarro
[Role:]Elsa Cárdenas
[Role:]Rodolfo Hoyos Jr.


The Reviews for The Brave One (1956) 1080p


The Brave GitanoReviewed bybkoganbingVote: 7/10

An excellent picture The Brave One has come down in history as an example of the incredible stupidity and hypocrisy of the blacklist. With Dalton Trumbo's struggle now a subject of a major motion picture a new and hopefully more enlightened audience can appreciate this wonderful film.

I'll leave it to the professional communist hunters to sniff out any left wing Marxist propaganda in The Brave One. All I saw is a touching film from RKO set in Mexico with no major or even minor American stars in it about a young boy who wants to save his beloved pet, a bull named Gitano who is raised as a fighting bull which means he gets one appearance only in the arena to die at the hands of a matador. Young Michel Ray is the boy Miguel and his father is Mexican film star Rodolfo Hoyos who did a few film appearances north of the Mexican border.

Young Ray is so determined to save his bull from slaughter he goes to none other than the President of Mexico to gain pardon for his bull. After that it's a tense race against time played against the background of Gitano giving his best against one of Mexico's best matadors. The bullfight scenes are outstanding and outstandingly photographed.

But a lot of this film is carried on the performance of Michel Ray who comes over so much like a real kid not just another kid actor. One of the best performances by a juvenile ever in the history of motion pictures and sad he did not receive any recognition for same.

I found it ironical that it was RKO on its last legs as a studio that produced this film. Just a couple of years earlier it was owned by Howard Hughes who got tired of it and gave it up to die a lingering death. Had Hughes still been in charge no way would The Brave One been done at his studio even with a pseudonym for a blacklisted writer.

That's how most people know The Brave One today when a later embarrassed Academy gave an Oscar to "Robert Rich" for Best Original Screenplay. It was Dalton Trumbo one of the infamous Hollywood 10 who wrote it, but it was after the award was given that that fact was discovered. That kind of hypocrisy exposed could have also had a large part in giving the blacklist an ignominious death. Maybe as much as Trumbo being hired openly to write the screenplay for Spartacus.

Shame on the studio bosses who while they supported getting these subversives out of Hollywood they also did not want to lose their talents either.

With Trumbo's own life now a motion picture maybe his work will get more critical review and The Brave One should be a standout there.

Sentimental story in the "boy-bonds-with-animal" genre.Reviewed bybandwVote: 6/10

This is the story of a young Mexican peasant boy who comes across a cow that is dying beneath a fallen tree branch and saves the calf she is birthing; a strong bond is established between the boy and the calf, a bond that persists as the calf turns into an aggressive bull that is being groomed for the the bullring. This bellicose beast is referred to as being "brave" in this film.

Ownership of the bull is a subject of debate throughout the film and at one point the boy gains an audience with the Mexican President to try to resolve the issue. Outside of the story being utterly preposterous, I had no problem with it.

This was filmed in Mexico in CinemaScope using highly saturated colors. There are some beautiful scenes of rural Mexico as well as a tour of Mexico City. The sweeping score by Victor Young invites grand emotion, but it stuck me as too exuberant, in the style of many scores of 1950s movies. The acting is uniformly wooden.

The highlights of the film are the captivating, and extended, bull fighting scenes. No matter what your opinion is of this controversial sport, it will be hard for you not to recognize its appeal based on these scenes. When an American visitor to Mexico expresses her dismay about the sport, her Mexican host notes that boxing and fox hunting are accepted, so why not bullfighting? He goes on to say that Mexicans know that death is never very far away, but that Americans are outraged by pain and, as for death, they may pass a law against it at any time.

What attracted me to this movie was seeing that it is based on an Oscar-winning story by Dalton Trumbo. The movie credits the story to one "Robert Rich," who was a front for Trumbo during the period of his being blacklisted during the McCarthy era (when Trumbo appeared before a Congressional committee and was threatened with a Contempt of Congress citation for not answering questions, he told the committee that that would be appropriate, since he had nothing but contempt for them). After having seen other movies with strong themes based on Trumbo screenplays, such as "Lonely are the Brave," "Papillon," and "Spartacus," I was looking forward to this film, but it does not live up to the quality of those. I was puzzled as to how Trumbo could have lapsed into such sentimentality, but then it occurred to me that he must have identified with the bull who defied attempts to be constrained and ultimately prevailed, just as Trumbo himself.

A delight in sight and sound...Reviewed byNazi_Fighter_DavidVote: 9/10

"The Brave One" is about a peasant boy who runs away to Mexico City to save his brave bull, Gitano... Irving Rapper directed the beautiful simple story of Leonardo and his attachment to his pet bull with understanding...

"The Brave One" has an authentic look in the bullring, on ranches and in Mexican streets...

"The Brave One" has humor: When Gitano, becoming a remarkable bull with a fine physical construction, proves his spirit to Carlos Navarro's red car...

"The Brave One" has strange attachment: The charge of the noble bull against a ferocious jaguar to protect Leonardo's life...

"The Brave One" has determination: In front of the Monument of Mexican President Benito Juarez, the persisting and exhausted boy got a great idea to go and meet the President, the only authority that could save his bull...

"The Brave One" has bravery: Gitano offered to the public a magnificent spectacle of skill, grace and courage...

"The Brave One" has suspense: When the 'moment of truth' is at hand, the little Leonardo, all anguished, couldn't see Gitano in front of his 'Hour of Truth.'

"The Brave One" has a terrific climax: Clamorous screams from the public are heard stronger and stronger... Handkerchiefs are moving in the air with a petition to the president of the bullring...

The film covers many highlights as the weaning and branding of the bulls and how they are tested in the open fields; la Fiesta Brava filling resplendently in the gold and pink brocades of Mexico, mixing with the elegance of swirling capes; the father of Leonardo (Rodolfo Hoyos) trying to make Leonardo understand that the pet bull is born to die in the ring?the reason of his life...

With a tremendous score and an outstanding color photography of exceptional beauty, Jack Cardiff realized the most beautiful and expressive scenery of the Mexican landscapes... His movie had the flavor of the bullfight game and its devotees and hangers-on...

As a little boy, I loved everything about this passionate film superbly directed and acted... Such emotion as I remember seeing it for the first time with my dear parents and brothers a long time ago in Beirut, Lebanon...

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