The End of the Tour (2015) 1080p YIFY Movie

The End of the Tour (2015) 1080p

The End of the Tour is a movie starring Jason Segel, Jesse Eisenberg, and Anna Chlumsky. The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place...

IMDB: 7.31 Likes

  • Genre: Biography | Drama
  • Quality: 1080p
  • Size: 2.05G
  • Resolution: / fps
  • Language: English
  • Run Time: 106
  • IMDB Rating: 7.3/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for The End of the Tour (2015) 1080p

The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace's groundbreaking epic novel, 'Infinite Jest.'


The Director and Players for The End of the Tour (2015) 1080p

[Director]James Ponsoldt
[Role:]Jesse Eisenberg
[Role:]Jason Segel
[Role:]Anna Chlumsky
[Role:]Mamie Gummer


The Reviews for The End of the Tour (2015) 1080p


The End of the Tour is NOT "Brilliant", NOT "Top Notch", NOT "Superb", NOT "Near-Perfect. It IS kind of boring.Reviewed byWellenstockVote: 3/10

The End of the Tour is NOT "Brilliant", NOT "Top Notch", NOT "Superb", NOT "Near-Perfect. It IS kind of boring.

The End of the Tour appears to have been filmed as cheaply and quickly as possible. The characters, dialog and story are dull and contrived but try to sound deep and intellectual. They're not. The writing seems to have nothing to say so they throw in some highbrow vocabulary to make the viewer feel like they're not smart enough to get it. "So he must've said something really smart, right?" Not really. If you pause the film and look up a word you quickly realize the statement was not enlightening or thought provoking at all (even though Jesse Eisenberg gave that subtle shake of the head as though he was just blown away).

So why did it get so much praise? It's a vehicle for pretentious posers to rave about on their quest to appear like social butterflies of the intellectual world.

It's truly shameful that society has sunk to this level. By that I mean that people we all know get their opinions from watching others on TV instead of using their own critical thinking skills. The talking heads on TV generally are speaking out opinions written for them by skewed producers or film industry marketers. This happens because the producer or critic doesn't have time to write a review on their own. They're looking for a quick way to be done with the work. Along comes the film marketeer who has taken the time to write a glowing review of the film they're trying to sell.

This happens of course on the political scene as well, when organizations like ALEC write legislation for senators to pass off as their own idea.

So if you decide to see this after all, do yourself the favor of making a note of who raved about it and stop taking advice from them. Also read up on the fine art of critical thinking. Calling out phonies and shaming them is the best thing we can do to change this trend of social corrosion.

Could very well remain my favorite film of the yearReviewed byjjustinjaegerVote: 10/10

Rarely am I enlightened by a film in the way I was by this one. Not that I was lectured or taught something, but that I had a visceral response to what I had experienced on screen that I wouldn't be able to explain but to ask you to recall a song or a book or a show that invited you to pour your soul into it and in return reminded you of what it was like to have one. I was reminded that films can do this.

I don't expect everyone to like it to the degree that I did because I can only base my strong inclination towards this movie on the connection I personally made with it which was emotional rather than intellectual, although the film is rich and lingering in its intellect as well, and of course; I recognize what makes this film profound, which I'll try to explain.

This is a talky film from director James Ponsoldt, who I'd now have to rank as one of my favorite contemporary directors after this and another I've seen and loved, The Spectacular Now. This director isn't one you'd normally find on a list ranking among the greatest working today because he's not about style and doesn't appeal to the ego as much as other contemporaries such as Wes Anderson and David Fincher do (in addition to many others, not to single them out). No, Ponsoldt is subtle and reserves his ego. He is unimposing on the lives of his characters and candid about what his films are trying to do and say, not hiding beneath film rhetoric or allegory or the impression of a representational work. And what's great about this is how his films point out that you don't need intricate sets or perfectly symmetrical shots to create beauty. This film has some of the most beautiful shots I've seen (the shot of them walking in the snow, the shot of the normally- withdrawn Wallace dancing), all the more so because of their subtlety, giving the feeling that the beauty was discovered and not created by the director.

But the beauty is often created by the actors. Ponsoldt trusts his actors and puts his efforts towards making the characters come alive before our eyes. I was under the fantastic impression that I was witnessing a completely real human soul with Segel's performance. He felt so real, so three dimensional. I understand him, even though I am not him. This is more magical to me than sweeping camera movements or extravagant art direction.

I didn't realize when watching the film that the dialogue is all based on, if not directly taken from, the tapes journalist (and protagonist) David Lipsky (Eisenberg) recorded of his interviewee, universally acclaimed novelist David Foster Wallace (Segel). The dialogue is rich with insight into the character's thought processes and their observations on life (but mostly those of Wallace). I was riveted at every moment the two were talking, feeling as though being revealed before me were the truths of life. The thrill of being a fly on the wall. And it's not just the words containing the wisdom of the thoughtful and complicated Wallace, but the delivery via the actors and the way in which the many hours of tape are edited to allow Wallace's ideas and observations to resonate. Even beyond Wallace's ideas, the film cuts to the core and observes Wallace as a human being, not different for his brilliance but the same for his humanness.

The film is about so many things it would be overwhelming to attempt list all of them. Its ideas, however many, are all-encompassing of what it means to exist, which is, beyond the desire for fame and ego-boosts, to want to be understood. The film observes how the inner-worlds of all people are so uniquely complicated and pays tribute to that wonder. I'll be relating my experiences to this film in time to come.

A thought provoking and emotional movieReviewed bynickweningerVote: 9/10

The End of The Tour was a beautifully done movie that will not be widely seen or even heard of. This movie doesn't have explosions, or side splitting humor, or sex, or anything that sells in Hollywood these days. What this movie does have is a well written plot with fantastic dialogue, a great story, wonderful performances, and thought provoking themes that make you ponder what is really important. The End of The Tour is about the five day interview between Rolling Stone reporter David Lipsky, and acclaimed novelist David Foster Wallace (played by Jesse Eisenberg and Jason Segel). This five day interview took place right after the 1996 publication of Wallace's epic 1,000 page novel called Infinite Jest. An interview that would later turn out to be never published and not really heard about until Wallace's 2008 suicide. During this interview, we get to see inside what it is like between the two men. Like I said earlier, this movie asks a lot of deeper questions that will leave you thinking. Questions like what is really important? If I am unhappy right now, will having what someone has change that? That even being famous and looked upon by the public doesn't really make you truly happy. We have seen this time and time again with famous celebrities that everyone thinks has it all together, give it all away because of depression and loneliness. This movie does an excellent job of portraying that. My only critique about this movie is that you never really get to know the character David who was doing the interview. They allude to deeper issues within him but never dive into them and expose them. Average Man Score: 8/10

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