Stunning and required viewing that illustrates the trials of Wind so well, shows the humanity and heartbreak so powerfully that it's good enough to have existed even without the now "finished" version of Wind. Loved it!
They'll Love Me When I'm Dead (2018) 720p YIFY Movie
They'll Love Me When I'm Dead (2018)
They'll Love Me When I'm Dead is a movie starring Peter Bogdanovich, Steve Ecclesine, and Norman Foster. In the final fifteen years of the life of legendary director Orson Welles he pins his Hollywood comeback hopes on a film, The...
IMDB: 7.71 Likes
- Genre: Documentary |
- Quality: 720p
- Size: 825.30M
- Resolution: 1280*800 / 23.976 fpsfps
- Language: English
- Run Time: 98
- IMDB Rating: 7.7/10
- MPR: Normal
- Peers/Seeds: 5 / 21
The Synopsis for They'll Love Me When I'm Dead (2018) 720p
In the final fifteen years of the life of legendary director Orson Welles he pins his Hollywood comeback hopes on a film, The Other Side of the Wind ,in itself a film about an aging film director trying to finish his last great movie.
The Director and Players for They'll Love Me When I'm Dead (2018) 720p
The Reviews for They'll Love Me When I'm Dead (2018) 720p
EssentialReviewed byjellopukeVote: 10/10
When I was growing up I only knew Orson Wells from his commercials and his talk show appearances. He also showed up to drag down the Dean Martin Roasts. And he was in some documentary about UFOs or Noah's Ark or something like that. Years later I found out that he directed that most overrated movie of all time, "Citizen Kane". I watched "They'll Love Me When I'm Dead" and I kept wondering what these people were talking about. His body of work is awful. Wells was a huge egomaniac with no resume to back up his genius status. Just a bunch of "Merv Griffin Show" appearances. This movie is about the making of the unfinished "The Other Side of the Wind". It's points the finger of blame at a whole bunch of people (including Rich Little!!) but never at Wells himself. Then after an hour or so it tells us that Orson Wells had a bunch of unfinished/unreleased movies. So there's nothing unique about "The Other Side of the Wind" and no reason for this documentary. And just when I though I couldn't think less about Wells, the movie tells how he edited a porn movie. Wow, what a genius. Then the makers of this movie have the nerve to compare his work to that of John Huston. That's outrageous. They're not even close. "They'll Love Me When I'm Dead", sorry Orson, they won't.
"The Other Side of The Wind" was Orson Welles last attempt at filmmaking before his death. It is a true testament to the genius of the greatest director of our generation, and is a shame that the movie will never be seen because the only movies that are made now are corporate projects, and art is not optional, and is even disregarded in the name of greed.
Orson Welles, as most people know, could not get financing for his movies later on in his life. Why? The reason is because film studios have become corporate machines, making money rather than making art. Since the days of Star Wars and Jaws, film studios have been much more concerned with the idea of box office receipts than with the idea of presenting filmmakers as artisans. These days, news papers are obsessed with the box office of a film even more than the plot.
Welles, in his later years, was against all the paper pushers and money launderers that populate the film industry. Unfortunately, he also had to pander to them to get funding. So he went into a depression and made some terrible choices, relegating himself into a characterture of his former self, appearing in ridiculous films, TV commercials, and started on a downhill slide that culminated in making some absolute disasters in order to try to accumulate any kind of investments.
At one point, he attempted to communicate this in a film called "The Other Side of the Wind" in which the main character, a Director, coming to terms with his 70th birthday, is confronted by a younger version of himself in the form of another Boy Wonder who makes commercial films which are successful money makers. The two characters are played by the legendary John Huston as the older man and Peter Bogdanovich as the Wunderkind. At the time the film was being shot, Huston was most like the real character of Welles himself, and Bogdanovich was a hybrid of all the successful Lucases and Spielbergs of the world.
In addition, the story of "Wind" also includes a playful 70's type of Avant Guarde film, one that would easily have fit in with the "Easy Rider" and "Zabriskie Point" genre of films which represented the alternative film industry. The story then zigzags back and forth between the "real" story of the Director and the "fantasy" story of the trippy film, with Welles' Muse, the gorgeous Oja Kodar as the lead girl, traipsing thru endless psychedelic environments, followed by a mute boy, and culminating in a fantasy sex scene while being driven by another actor in a car in a rainstorm-- a scene as erotic as possible in the era of free love and experimentation.
However, the documentary is more complex, and captures the essence of Welles' philosophy of life in which he is constantly at odds with the business of filmmaking throughout his entire life.
The saddest part of the story is when Welles, who was dependent on Peter Bogdanovich at one point, betrays his friend by saying negative things about him on a talk show. One wonders what was his motive in doing so -- was Welles being subconsciously self-destructive? Was he jealous of Peter's ability to make financially successful films? There is even a part in the shooting of "Wind" where he casts a 19-year-old girl as the pawn between the two Directors, and one is immediately reminded of Bogdanovich's obsession with Cybil Sheppard, who was also 19 when she was cast as the actress in "Last Picture Show."
In fact, so much of "Wind" is a reflection of Welles' life, that it is almost another attempt at telling the story of "8 1/2", which captures Fellini's trials and tribulations while making a film that also would never be released. Welles is subconsciously telling us the story of his life, all the while denying that this was his intention.