Wind River (2017) 720p YIFY Movie

Wind River (2017)

A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.

IMDB: 7.867 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 782.91M
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 111
  • IMDB Rating: 7.8/10 
  • MPR: Normal
  • Peers/Seeds: 18 / 386

The Synopsis for Wind River (2017) 720p

WIND RIVER is a chilling thriller that follows a rookie FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death.


The Director and Players for Wind River (2017) 720p

[Director]Taylor Sheridan
[Role:]Jeremy Renner
[Role:]Julia Jones
[Role:]Kelsey Chow


The Reviews for Wind River (2017) 720p


Suspenseful! A perfect thriller!Reviewed bywww.ramascreen.comVote: 10/10

The screenwriter who gave us "Sicario" and "Hell or High Water" has come back with "Wind River" which he also directed and I am now convinced more than ever that Taylor Sheridan is one of the best storytellers of our time. There's something about his thrillers that are just so cunning and sharp and profound, like a great American classic, even novelist Dennis Lehane probably couldn't come up with materials that are as skillfully played as this. And with "Wind River" Sheridan's personal artistry mission to do some effort to right the wrongs that the system has committed against the Native Americans, continues.

The story is about a rookie FBI agent (Elizabeth Olsen) who teams up with a tracker/hunter (Jeremy Renner) with a tragic past in order to investigate the murder of a local girl on a remote Native American Reservation.

Sheridan has tackled themes surrounding the Native Americans before but with this latest one, it's not so much that he's preaching about it but he ties it into this entire fabric of community where you sense the clash between outsiders and locals, between whites and natives, so there's a level of frustration about that arises from this murder investigation that brings up all kinds of cultural suspicions, on top of which there's also a game of jurisdictions. It's a complex yet cleverly woven thriller that starts out as a whodunit and evolves into a thirst for retribution. And the fact that it's set in a very cold harsh environment just adds to the film's chilling effect.

In many ways, Elizabeth Olsen performs here like Jodie Foster's Clarice Starling where at some points you kinda know that Olsen's character may be out of her elements, but at the same time that factor actually gives her a good vantage point. Jeremy Renner plays his character like an old timer western hero who knows the ins and outs of everything, a man of few words but gets tough when needed. Their dynamic is not some kind of odd couple cop duo, this is more like each of them trying to prove themselves while bringing justice to the family of the unfortunate girl. And the way Sheridan crafts the mystery from a small radius to a much larger scheme is one that will have you hooked. "Wind River" is highly suspenseful, it's a perfect thriller.

-- Rama's Screen --

What a Start For Taylor SheridanReviewed byThomas DrufkeVote: 8/10

Crime dramas have always been one of my favorite genres of filmmaking, especially the ones that take themselves seriously and pose interesting questions about life. Wind River takes the genre up in the cold, snowy tundra of the Wind River Indian Reservation in Wyoming. Gritty, brutal, and well-timed action, Wind River builds a simply structured crime film into an important conversation about missing persons with a great storyteller and one great cast.

Coming from writing the likes of Sicario and Hell or High Water, Taylor Sheridan is really making a career for himself. It's hard to imagine it's the same guy who made those short acting cameos in Veronica Mars back in the day, but Sheridan is separating himself from the pack in terms of his writing skills. I won't say that Wind River reaches the heights that either of his other two writing efforts did, but the sheer power of the subject matter of this film may take this film into Oscar season.

Jeremy Renner stars as Corey Lambert, a man with a tragic past, teams with Jane Banner (an FBI agent played by Elizabeth Olsen) to solve a murder. It's easy to label Banner as the "out of place woman who needs the help of a hardened man", because it can appear that way at first glance. But I'll view it as two people who cross paths with each other and end up working together to better their current situations. It also doesn't hurt that both Renner and Olsen have pre- established chemistry from the Marvel films, and dynamite together on screen.

However, I do believe that Sheridan could have done a slightly better job of directing the tone of Wind River. There were times where it seemed the actors were giving endearing performances and monologues, only to be sometimes interrupted by a subtle joke or a lighthearted comment. I think that just a minor change in direction of his actors would have changed those moments for the better. With that said, Sheridan's brutal touch of action when the film calls for it is impressive to say the least. It's those moments that helps put a realistic layer to Wind River.

Overall, Wind River is a grounded but moving take on murder, rape, and missing persons cases. Solid performances, sharp script, and nuanced storytelling, Wind River is a fascinating crime drama.

8.0/10

Taylor Sheridan depicts another dilapidated region of AmericaReviewed byJared_AndrewsVote: 8/10

If you've seen any of Taylor Sheridan's previous work, you probably noted that he has a certain style. He tells stories about ways of life in dilapidated regions of the country. He blurs the lines between "good guys" and "bad guys," instead framing the status of the selected region as the truest villain. What's right and wrong, considering all the unique variables of each story, is not always clear. At least, that was case in Sicario and Hell or High Water.

In Wind River, the region is still presented with all the strain that is causes on the lives of its residents, but a much more obvious villain is revealed before the movie is over.

Hell of High Water frames the crumbling economy of a certain Texas region as the real source of evil, rather than any characters. Whereas in Wind River the source of evil is definitely the rapist. I mean, the rapist attempts to blame the cold and silence, but his actions were clearly much worse than bad weather.

Sheridan's previous films also left doubt about who were the heroes, who the audience should be rooting for. This time it was much less ambiguous—they were the people searching for the rapist.

An emerging theme in Sheridan's movies appears to be Tarantinoesque eruptions of violence, sometimes near the conclusion. They don't always reach the levels of the Django Unchained shootout, but Sheridan clearly isn't shy about showcasing the unforgiving damage that can be inflicted by firearms.

Complaints, I have a few. On more than one occasion, I legitimately could not understand what a character had said, so I was left wondering if I missed something important. I'm not sure if this manner of speaking was a choice made by the actors or if this was a decision made by Sheridan to establish a certain tone. Either way, I could have used less mumbling.

The other complaint that I have, and this is more serious, the middle third of the movie felt like it contained a lot of empty moments. This may or may not have been related to the times that I couldn't understand what a character said. Still, the movie could have used a bit of its fat trimmed. It wasn't as crisp and clean as Hell or High Water and Sicario. And I know I keep comparing this movie to Sheridan's others, but that's bound to happen when a writer sets the bar so high with two gems.

On the whole, I consider this a success for Sheridan in his directorial debut. I'd happily watch another story of his about justice and an overlooked culture.

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